mixtape: a bibliography

Aldisert, J. (2023) ‘Immersive Performance and the Weird’ [workshop], Contemporary Disciplines. Royal Central School of Speech and Drama. 27-29 November.

Anderson, C. (n.d.). Three Decembers. [online] Available at: https://cameronanderson.net/three-decembers/ (Accessed 9 May 2024).

Armfield, J. (2022). Our Wives Under The Sea. Picador.

Armfield, J. (2024). Private Rites. Fourth Estate.

Armfield, J. (2019). Salt Slow. Flatiron Books.

Ármann Jakobsson (2017). The Troll Inside You. punctum books.

Berga, C.. (n.d.). Turn of the Screw. [online] Available at: http://www.carlesberga.com/turn-of-the-screw.html (Accessed 9 May 2024).

Blind Summit Theatre | Puppet Theatre. England. (n.d.). Blindsummittheatre. https://www.blindsummit.com/ (Accessed 9 May 2024).

Blocker, J. (2012), ‘Repetition: A skin which unravels’, Perform, Repeat, Record: Live Art in History, Jones, A. And Heathfield, A. (eds), London: Intellect Ltd., pp. 199-208.

Brown, B. (2001). ‘Thing Theory’, Critical Inquiry, 28(1), 1–22.

Carter, A. (2006). The Bloody Chamber and Other Stories. London: Vintage Classics.

Deadweight Theatre. (2024). The Manikins. Directed by Jack Aldisert.

Espiner, T. (2023) ‘The Foley Grail’ [workshop], Practitioner Study. Royal Central School of Speech and Drama. 20-November.

Johan Egerkrans and Beard, S. (2017). Vaesen: spirits and monsters of Scandinavian folklore. Stockholm: B. Walströms Bokförlag.

Fisher, M. (2016). The Weird and the Eerie. London: Repeater Books.

Gibson, G. (2023) ‘The Hum’ [workshop], Practitioner Study. Royal Central School of Speech and Drama. 16-18 October.

Perkins-Gilman, C. (1892). The Yellow Wallpaper. The New England Magazine.

Jackson, S. (2017). Dark Tales. New York, New York: Penguin Books, An Imprint Of Penguin Random House llc.

Kafka, F. (1998). ‘The Cares of a Family Man’, A Country Doctor: Short Stories, Vitalis.

Kantor, T. (1975) Crichton Theatre: The Theatre of Death, Theatre Papers.

‌Lucht, M. and Yarri, D. (2010). Kafka’s Creatures. Lexington Books.

Machado, C. M. (2019). Her body & other parties. London, England: Serpent’s Tail.

Norman, M. (2016-2024). The Folklore Podcast [podcast]. Available at http://www.thefolklorepodcast.com/ (Accessed 18 Sept 2024).

Searles, R. (2017). East Meets West, Old Meets New: The Dreamlike Beauty of Hua Hua Zhang’s Experimental Puppetry. [online] FringeArts. Available at: https://fringearts.com/2017/08/16/east-meets-west-old-meets-new-dreamlike-beauty-hua-hua-zhangs-experimental-puppetry/ (Accessed 9 May 2024).

Snorri Sturluson and Säve, C. (2014). Snorre Sturlesons Ynglinga-Saga... - Primary Source Edition. Nabu Press.

Willi, M., ‌(n.d.). A Streetcar Named Desire. [online] Available at: https://magdawilli.com/works/a-streetcar-named-desire/ (Accessed 9 May 2024).

Valentini, V. (n.d.). Tadeusz Kantor’s Object-Actor. Emballages, Happenings, Poverty.doc. www.academia.edu. [online] Available at: https://www.academia.edu/10521731/Tadeusz_Kantor_s_Object_Actor_Emballages_Happenings_Poverty_doc (Accessed 9 May 2024).

‌The Babadook (2014). Directed by Jennifer Kent. [Feature film]. Victoria, Australia: Umbrella Entertainment.

His House (2020). Directed by Remi Weekes. [Feature film]. UK: Netflix.

The VVitch (2015). Directed by Robert Eggers. [Feature film]. USA: A24.

110 Cloverfield Lane (2016). Directed by Dan Trachtenberg. [Feature film]. Paramount Pictures.

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